Non-Profit Real Estate Development for Artists, Writers,

and Information Technology Workers

Compost Art Center real estate development strives to create homes for Artists / Writers and remote Information Technology Entrepreneurs. Compost provides visual and performing artists, designers, writers, musicians, technology designers and entrepreneurs with live-work studio space in a creative, vibrant atmosphere that nurtures innovation and communication. Compost Art Center projects are located in Hardwick, Vermont, Sag Harbor, New York, and Shenandoah Pennsylvania.

The Founders, Jamie Day and Clifford Jackman, became focused on residency programs after Jackman worked at the Nantucket School of Design and Art (NISDA) and The Guild Hall in East Hampton, NY – where he gained immense knowledge about the unique opportunities for social benefit as well as the investment potential for philanthropic investors who are committed to the advancement of the fine arts.

FOUNDERS STATEMENTS

Jamie Day – After taking art classes at The Art’s Student League and The School of Visual Arts, it seemed to me that the Art schools were creating generations of art school graduates without a common goal or sense of Fine Art responsibility. Art schools refuse to teach artists how to sell your work or financially support your work.

Clifford Jackman – After attending art schools in New York (Fashion Institute of Technology) and Boston (Massachusetts College of Art) and also being in the military, I realized the problem with art schools. They didn’t teach graduates to respect each other, balance a checkbook and/or build the Fine Art industry and livelihood. There was not, nor is there at this time any Fine Art Unions, or industry groups protecting the Fine Artist industry and livelihood. Essentially there was NO planning, or communication about the future, and most damaging to the fine arts industry was that there was no esprits de corpse.

Art school academia taught us nothing about food, clothing and shelter. They taught us to worm/sleep, your way into gallery representation or die poor and unknown. I wanted a different Fine-Art life, so Jamie and I, create live/work homes for artists/writers and entrepreneurs in rural America.

ART AS FINANCIAL ASSET

Clifford Jackman – In the mid 1990’s there was also the negative conversion of Fine Art into an asset class for the rich. Financial advisors, galleries, art administrators,  museums, and all their sleazy sales people converted lame art into a commodity and lame artists into entertainers (Charles Saatchi/Damian Hirst). These art administrators (seven administrators make a living off of one artist’s work) catered to the extremely wealthy looking for asset protection and/or cultural capital.

Nobody is nurturing the current art scene. Art fairs and Etsy has not raised the annual income of art and writer grads. Artists’ and writers’ annual salary continues to fall below a livable wage and is below that of a ditch-digger.

On the other side of the economic spectrum – the low income and poverty side of America in urban, suburban, and rural areas – non-profit art groups financially support “the children’s art program” and “the senior citizen’s art therapy” within their community, BUT NOT THE INDIVIDUAL ARTIST.  That’s because these non-profits don’t care about artists or the current art scene – they only care about their salaries.

Art administrators don’t want to lose funding like they did with the National Endowment for the Arts in the 1990’s. That’s because grants were awarded to individual artist like Karen Finley, Andres Serrano, and David Wojnarowicz. These art admin or artsy salespeople are damaging artists and the current art scene because they are siphoning money away from the artist that should help recent art grads and current art creation.

I saw the need here for ARTIST-RUN residencies – eliminating the over-reaching art administrative problem, and giving more power to the artist.

COMPOST MISSION

Compost Art Center’s Mission is to enable artists, writers, inventors, and IT entrepreneurs to work on their next creative project while living in an affordable, harmonious, and productive setting. Our non-profit mission is to create and provide affordable living and working space. Our projects encourage artists to participate in the use of their imagination and experimental vision in order to establish the role of the fine artist and small business entrepreneurs as a vibrant and central participant in the community where they live and work.

COMPOST PHILOSOPHY & INSPIRATION

We both drive our philosophical inspiration from the 1900’s New England Transcendentalist movement that included Ralph Emerson’s Self-Awareness,  Henry Thoreau’s Walden, and Edith Wharton’s Ethan Frome. Artistically we work off of the expressionistic painter and writer Robert Henri – especially his book – “The Art Spirit.” And of course we get energy from Walt Whitman’s “This Compost” poem. And like Walt – we drive our “Plough” “Beholding the compost” and work on our art, and/or our “Leavings.”

Timeline

1997 ♦

RENT… OR OPEN A RESTAURANT IN SANTA FE

Jamie Day – As we both graduated art schools in the mid 1990’s the gentrification of the artist’s and writer’s neighborhoods was in full swing in both Boston (Central Square/Cambridge, Fort Point/Boston, and Jamaica Plain/ West Roxbury/Boston). And in New York (All Downtown Manhattan) and Williamsburg, Brooklyn. In these gentrified areas rent had risen to quickly to get any serious fine art or entrepreneurial work done.

The play and then movie RENT describes these trials and tribulations of young artists in NYC in the 1990’s. Also at this time was the expansion of the internet, so we could do good research and more important – listen to our favorite college radio stations on line. The internet made it possible to live anywhere as long as it had a decent internet connection. We decided to leave NYC and not “Open a Restaurant in Sant Fe,” but open a restaurant in the northeast Kingdom of Vermont.

1997 ♦

Compost Studios

1999

2004 ♦

2004, Compost Art Center worked with Amistad

Fundacion, a Cuban and Duke University cultural exchange program. Amistad Fundacion was working with the Town of Easthampton who had set up a Sister-City program with Playa, Havana in Cuba. Compost Ar Center hosted/supported Cuban artists in the Hamptons and had gallery shows in Amagansett and Sagaponack.

Compost also coordinated American artists visiting and working in Cuba.

2003 ♦

Sagaponack Compound

♦ 2006 – 2012

COMPOST Art Center Development  –  Division Street, Chinatown, NYC 2012

2008 – 2012 ♦

2008-2012 Sag Harbor

2014 ♦

2014 ♦

2014 – 2022

In 2014 Compost Art Center started two new projects. Eagles Nest in Southampton, NY-a 20-acre compound that we’re currently offering as a rental or residency the cabin to aritsts/writers and IT professional, Please contact Compost for more information.

Another successful Compost story with American Main Street real estate and American poverty. The build-out in Pennsylvania coal-country Appalachia and/or Pennstucky took 5 years and then in 2022 the building was sold to a local (Catawissa) musician and artist who works in NYC as a Production Manager.            

Besides being the new owner of one of the finest buildings in Shendoh (local name) the new owner plans on creating future art businesses that will help downtown Pennsylvania grow in a positive, artistic, and regenerative manner.

2021 ♦

And in 2021 Compost Art Center finished renovation of a 7200 sf brick and steel Federal building, just off Main Street, in a small Pennsylvanian coal-country town. The building is available for sale, rent, or a residency. Please contact Compost for more information.

2022 ♦

2024 ♦

Republican Herald Article about Free Grace Press

Free-Grace Press publishes novels in Shenandoah

By Hyun Soo Lee Staff Writer Sep 10, 2022

“The Worming of America, Or, An Answer to the Arraignment of Women” by Autumn Leaf and published by Free-Grace Press, an ind Shenandoah, is for sale Thursday at Nature’s Way Emporium in Shenandoah.

Lindsey Shuey / Staff Photographer

SHENANDOAH — The four-story steel-and-brick building that stands at 34 N. Ferguson St. may seem worlds apart from a young woman in colonial Boston.

The building, however, was where the story of one such individual, named Autumn Leaf, was conceived and brought to reality. The property houses Free-Grace Press, an independent book publisher that released the historical fiction novel, “The Worming of America, Or, An Answer to the Arraignment of Women.”

New York City-based entrepreneur Jamie Day established the company in 2018, with its inaugural novel published that year. She owns and operates the space with her creative partner, Clifford Jackman, and the two co-editors oversee every project in the building from start to finish.

Day said the author, who wishes to remain anonymous, wrote the novel while living at 34 N. Ferguson, where the book was also edited and completed for publication.

“We used the place while we were developing it,” she said.

Located at the site of a former commercial warehouse, Free-Grace Press is situated comfortably in its homely, nearly century-old structure on Ferguson Street. A sign bearing the company’s logo hangs over the entrance, adding a streak of character to the otherwise drab brick facades lining the street.

The property is also where Day operates her other Shenandoah venture, the Compost Art Center, a real estate development that strives to create a live-work space for artists, writers and entrepreneurs. The Shenandoah property is one of several locations for the center, with others based in Hardwick, Vermont, and Long Island, New York.

‘The Worming of America’

Classified as both historical fiction and alternate history, “The Worming of America” details the life of Susan Hutchinson, an 18-year-old woman who authors a journal of her thoughts, tribulations and drawings over the course of one day in June 1650. The book is presented as a “found manuscript” of the heroine’s transcriptions, which supposedly lay hidden before being uncovered by historians centuries later.

As such, the book’s authorship is credited to Hutchinson, whose pen name is Autumn Leaf.

In the novel, Susan Hutchinson — the daughter of famous Puritan spiritual leader Anne Hutchinson — struggles with what she sees as the oppressive Puritan forces of her day. With social and feminist overtones that resonate to this day, the book merges modern and 17th-century English prose to create a believable account of the young woman’s story, according to Day.

“The voice of the author is historically true,” Day said. “The way the book is written, it’s written from an autobiographical point of view.”

Among other themes, the novel touches on free grace theology, a Christian belief that was controversial in the Massachusetts Bay Colony in the 1600s. The belief concerns with everlasting life being a free gift so long as one has faith.

Among the well-known free-grace advocates of the time were Anne Hutchinson, Henry Vane and Mary Dyer, who was hanged in 1660 for refusing to abjure her beliefs. “The Worming of America” includes a series of letters between the younger Hutchinson and Dyer.

“(Dyer) was so important to America because of what she stood up for,” Day said, adding that the book was inspired by the “foundational ideas of America.”

The book’s title, meanwhile, alludes to a pamphlet written by Joseph Swetnam in 1615, called “The Arraignment of Lewd, Idle, Froward, and Unconstant Women: or the Vanity of Them, Choose You Whether: With a Commendation of Wise, Virtuous and Honest Women: Pleasant For Married Men, Profitable For Young Men, and Hurtful to None.”

Many women deemed the tract misogynistic and authored counterarguments. One famous response, called “The Worming of a Mad Dogge,” was written in 1617 by an author under the pseudonym Constantia Munda.

“So I am playing off the title, and calling it ‘Worming of America,’” Day said, “because Susan Hutchinson was a woman speaking out in the American colonies and was speaking about free grace.”

Though ostensibly written in the 1600s, “The Worming of America” has many similarities with literary works produced centuries later. Jackman said that Nathaniel Hawthorne’s “The Scarlet Letter” and Mark Twain’s “The Prince and the Pauper” serve as the best points of comparison for the novel’s narrative and themes.

“Hawthorne based ‘The Scarlet Letter’ on Anne Hutchinson,” Day said.

The book’s introduction states that Leaf’s manuscript is a “tragic-comedy,” with prose reminiscent of the “languid and serious style” of Virginia Woolf, and dialogue and descriptions in the mold of Flannery O’Connor and Walt Whitman.

Weaving all of those literary influences together, the author creates a unique, characteristic voice for Leaf that never wavers over the course of its 300 or so pages. The book combines dark, quirky black-and-white illustrations — supposedly drawn by Leaf — that complement the story.

In one passage, the narrator, after having been captured by the Lenape Native American tribe, writes of living with the people: “The Indian women left our straw-and-mud longhouse withdrawn, with a sense of calm completion on their brows; the men scurried around like anxious ants or worry-wart buggers, looking for their ant-hill home which had just been kicked away. Subsequently, men bang the drum.”

“The Worming of America” is available on Amazon in physical, Kindle and audiobook formats. In Schuylkill County, people can buy the book at Nature’s Way Emporium, 28 S. Main St., Shenandoah.

Future projects

Free-Grace Press is currently working on two follow-up projects consisting of four novels.

The first of those projects is “Mother’s Day in the Empire State, Or, An Answer to the Arraignment of Women,” a novel about motherhood in contemporary Appalachian society. The narrator of the novel, a 50- year-old woman named Connie Munda, is also credited as the author.

“She is a single mom in upstate New York and a child protection services officer,” Day said. “She investigates two mothers for child abuse on Mother’s Day, one mother lives within poverty Appalachia and the other lives within luxury Appalachia.”

Like the heroine in “The Worming of America,” Munda is the daughter of a historical figure, Anna Jarvis, the woman who established Mother’s Day as a holiday in the early 1900s.

The novel is due for release on Mother’s Day 2024.

Following that title, Free-Grace will publish a trilogy of novels called “Sagg, Or Life in Free-Grace,” which Day describes as a modern-day analogy to Henry David Thoreau’s “Walden; or, Life in the Woods.”

“The narrator, Sam Kane, is a divorced dad writing to his son and daughter about his life and failed family,” Day said. “It follows (“Walden”)’s chapter subject and topics, but the narrator is unaware of his life going down the same path as Thoreau’s experiment in the woods.”

Launch dates for the three volumes of “Sagg” are staggered yearly, with the first title to be released in the spring of 2025, the second in 2026 and the third in 2027.

Day said the content and illustrations for the books are completed, but they have yet to go through the editorial and publication process.

Before the books are deemed complete, Day and Jackman will have to undertake the marketing and packaging efforts, along with hiring an audiobook narrator to do readings. The books will be printed by a Scranton-area company.

“These days, it’s not just about writing the book and drawing the pictures,” Day said. “You also have to package it, do an audio reading, all kinds of stuff.”

Choosing Shenandoah

In selecting a location for her publishing venture, Day — an IT worker who lives in New York City — had sought a smaller and more relaxing area than that of her native city.

Her work with the Compost Art Center led her to the 7,200-square-foot brick building on North Ferguson Street. While renovating the space, Day and Jackman decided to create Free-Grace Press so they could complete “The Worming of America” and prepare the artwork and bindings for the book.

As an out-of-towner, Day likes what the borough has to offer, citing its architecture, atmosphere and busy Main Street district as among the positives in the small “coal-country” Pennsylvania town.

She was also drawn to the many business and revitalization efforts in town, including Downtown Shenandoah Inc.’s future business incubator, the Center for Education, Business & Arts, which is expected to break ground this year.

“As an investor, that caught my eye,” she said.

The Compost Art Center, she said, is ready to be used by a fellow artist or entrepreneur as a full-time workplace and residence. Day’s plan for the center is to sell the existing property, then move her venture to another location in the vicinity. She aims to follow this cycle for the rest of her time as a Shenandoah business owner, continually expanding her operations.

The center provides a space, she said, for Shenandoah to be “rebirthed from the new energy from an artist, writer or entrepreneur coming to town.”

“Shenandoah is a relaxing location where one can get their creative juices flowing and focus,” Day said.


HYUN SOO LEE

Hyun Soo is a reporter for the Republican Herald.

Read the article online (subscription required).